AGE 44 THROUGH AGE 45 - [1815]

CRISIS IN CREATIVITY 1813-1819 (Start of less dramatic, more introspective style. This has been described as the beginning of his Third Period Style -- with interest in counterpoint, especially the canon and fugue, use of trills for nonornimental purposes, syncopation, anticipation for expression pruposes, instrumental recitative with new intnesity, contrasting and combination of extremes of pitch, bold harmonic progressions by means of side-slipping rather than conventional modulation, new form of variations with new significance, new style similar to Mozart's last works, eg. Motzarts finale of K516 and K595) [L. Decade pg133]

 

WORKS CREATED

op 102: 2 Sonatas for Cello & Piano (#1 begun in May - completed late July) (#2 begun early August) [Profound] Written for Linke who had been member of Razumovsky quartet until Razumovsky's palace was destroyed by fire Dec 31, 1814 and the quartet disbanded. Linke took work as a chamber viruoso for Countess Marie Erdody and he stayed at her summer home in Jedlersee over the summer 1815. [L Decade pg132]
op 112: Choir & orch. "Meeresstille und gluckliche Fahrt" = "Calm Seas & Prosperous Voyage" [2 poems by Goethe combined as a work of contrasts]
op 115: Namensfeier Overture (completed early March)
WoO 96: Music for Leonore Prohasha (March)
WoO 97: "Es ist vollbracht"= "It is finished" for bass voice, chorus & orch. for Treitschke's Singspiel Die Ehrenpforten (for Treitschke's Singspiel, "Die Ehrenpforten) (Summer)
WoO 135: Song, "Die laute klage"  
WoO 145: Song, "Das Geheimnis"  
WoO 165:Canon,"Gluck zum neuen Jahr" (For Pasqualati as New Year's gift) (Jan)
WoO 166: "Kurz ist der Schmerz" (Mar) (For Louis Spohr)
WoO 167:Canon "Brauchle, Linke" (3 pt)  
Hess 15: Piano Conc. #6 in D (incomplete) (begun Jan. - abandoned May)
Hess 297: Adagio in Ab for horns  

 

 

BIOGRAPHICAL NOTES

DATE
LIFE NOTES
OTHER NOTES
 
Viennese popular taste ran toward non-serious, dance music. The Viennese, owing to recent
military defeats & monitary devaluation were caught in debilitating cycles of anxiety and
reprieve.  In the words of one observer of the times: supported a fatalistic attitude in many and
a popular stage theme of tragedy in which "a desperate man's curse makes Providence the
instrument of vengeance, hatred and even blunt stupidity." [L.Dec. p16]
-----------------------
"...the Austrian crown-lands in 1815 were in a state very nearly bordering on collapse.
[L.Dec p17]
-----------------------
Between 1815 & 1848 strict literary censorship in plcace instituted by Metternich and
administered by Count Sedlnitzky [L.Dec p101]
-----------------------
"Never outwardly show people the contempt they deserve, because one cannot know
when one may need them." [Tagebuch#34]
-----------------------
"Always study from half-past five until Breakfast" [Tagebuch#48]
-----------------------
"But now Fate catches me! Let me not sink into the dust unresisting & inglorious, But first
accomplish great things, of which future generations too shall hear!"  [Tagebuch#49] (from the
Iliad Book 22 pg356)
-----------------------
"Spare even the closest friend your secrets; How can you ask fidelity of him, when you deny it
to yourself?" [Tagebuch#59] (from Herder) 
-----------------------
"Though often darkly led to evil by passion, I returned through penance and purification to the
pure fountain -- to God and to your art" [Diary Entry] [L. Decade pg270 Footnote #1]
 
Jan Unfinished 6th Piano Concerto composition begun  
Jan 18 Kinsky heirs agree to settlement. Beethoven to receive 1200 fl. WW (he had requested 1800, but legally they only had to pay 726) Arrears paid (from 1812) by March 26th - thereafter regular payments were made.  
Early Reconciliation w/ Countess Maria Erdody who sent B. 34 bottles of wine [Tagebuch#38] (see 1809 estrangement)  
Early
Invitation to Beethoven by Countess Erdody (using the familiar Du form):
-------------------------------------------------------------------------
Apollo's foremost son!
You greatest of great spirits,
Music's first master,
Now known to Europe,
to whom Apollo himself yields,
And from the Muses' throne
Rewards with his crown:
Hear and grant our entreaty,
Remain today in our midst -
Great man Beethoven
Give fiat to our hopes.
* * *
The old Marie,
The young Marie,
The unique Fritzi
August ditto
Magister ipse
The Accursed Violoncello
Old Baron of the Empire
Chief Bailiff
* * *
To the laurel-crowned Magesty
of the noble art of music
Ludwig v. Beethoven
a most ardent entreaty
from the Jedlersee muses
that their beloved Apollo
may pass this day
in their
midst.
-------------------------------------------------------------------------

[Man of His Word pg145-6 ref.7 = Brief von Beethoven an Marie Grafai Erdody geb. grafin Nisky, ed: Alfred Schone pg26-27]

 
Jan 25 B's last public perf. at piano: Adelaide op 46 (sung by Franz Wild) on birthday of Russian Empress. (B. comp.& presented Polonaise in C to her) Earnings high as a result of Congress of Vienna perf's - money put into banknotes  
Feb Earliest use of sizable sketchbooks.  
Feb10-13 Wellingtons Sieg performed in London for the first time with Sir George Smart conducting  
Feb 27 Publication announcement for Polonaise op89  
Mar 3 Musical note to Louis Spohr - text: "Brief, brief, brief, brief is all pain, all pain, endless, endless is rejoicing, is rejoicing, is rejoicing, endless is rejoicing ..."  
Mar-early Namensfeier Overture completed  
March WoO 96 - music for Leonore Prohaska composed  
Mar 26 Kinsky payments resumed after cessation dating to his death Dec 1812.  
April 1 Beethoven received Libretto for opera Bacchus (written by Rudolph von Beige) from Carl Amenda  
April 12 B wrote Amenda: "...I may say that I live almost entirely alone in this greatest city of Germany, and am forced to live apart from all the people whom I love, whom I would love --..." [Anderson pg509 per Man of His Word pg 212]  
Apr 19 Prince Lobkowitz agreed to pay his share of B. annuity plus arrears at new rate of 700 fl WW - full amount asked (after no payments since Sept 1811] - Thus income was restored to high level at this time.  
Apr 29 Large number of works were sold to publisher Steiner (partly in repayment of 1813 loan) including: Wellingtons Sieg, 7th symphony, 8th symphony, quartets op95, Violin Sonata op96, Archduke Trio op97, overtures op 113, 115, 117, Volcal trio - Tremate, Der glorreiche augenblick, Fidelio, and several songs.  
May Writing of the 6th Piano Concerto was abandoned and Cello Sonatas op102 begun  
Spring Moved to Auf der Seilerstadt 1055-56 (1052 per Dr. Karl von Bursy's memoir of June 1, 1816 [Hamburger p145], Lambertisches Haus (3rd fl) at site of today's building Seilerstate 21 until 4/1817  
June 1 Charles Neate, pianist and founder of Philharmonic Society was introduced by Haring. He subsequently visited with Beethoven and tried to convince him to come to England for treatment of his deafness. Beethoven refused; told of his theory of how it occurred: re: throwing himself down when frustrated with a theater primo tenor. (Implied that his rage was cause).  
Summer Moved to Dobling: An der Stiege 33-34 until 7/1816 (today Silbergasse 4 & NuBwaldgasse 2.  
Summer B. visited Countess Erdody at her summer home in Jedlersee where Linke was staying. (Linke was employed by the Countess as a cellist). B. wrote 2 violoncello Sonatas for him to play (op 102 #1 and #2) considered the first of his 3rd period pieces  
Summer Josephine in a Spa Hotel in Dobling at the same time - neighbors with B.  
June 9 Publication announcement for Piano Sonata op90 (Steiner)  
July 15 Premier performance of WoO 97 - newly composed - music for Treitschke's Singspiel Die Eh rempforten with repeat performance on the 16th and 23rd.  
July - late Cello Sonata op102#1 completed  
July Neate presented order from the Philharmonic Society of London for 3 overtures for 75 Guineas. Beethoven gave him op113, 115, 117.  
Aug-early Autograph score of Cello Sonata op102#2 begun  
Sept-late

From an autograph note of Beethoven's:

----------------------------------------------
"on the Kahlenberg 1815 end of September
in the woods -- 
I am blissfully
happy in the
woods every
tree speaks
through you
Oh God what
splendor
in such a 
wooded place
on high
is peace --
peace to 
serve him --"
----------------------------------------------
 
Oct. In letter to Countess Erdody wrote: "We finite creatures with infinite spirits are born only to suffer and to rejoice and one could almost say that the most excellent among us derive joy from suffering."  
Nov 14 Dying brother Casper Carl's will was set to give Johanna & B. co-guardianship of then 9yo Karl. (Johanna had evidently had an affair during this, his final illness; B. hearing of this passed the information to his brother - likely motivated Casper Carl's decisions.) B. had Carl delete Johanna's name, "since I did not wish to be bound up in this with such a bad woman". When B's left, however, Carl added a codicil reinstating Johanna as co-guardian & stipulated that Karl should continue living w/ Johanna. (Start of battle w/ Johanna re: guardianship & custody of Karl, then 9yo. w/ final custody 1820, when Karl 14.]  
Nov 15 Wednesday: Casper Carl died of TB. Tagebuch#69: "O look down, brother, yes I have wept for you and still weep for you, O why were you not more open with me? you would still be alive and certainly would not have perished so miserably, had you earlier distanced yourself - - & come wholly to me."  
Nov 22 Johanna appointed guardian of 9yo Karl w/ B. as assoc. guardian per codicil (Imp. & Royal Landrechte of Lower Austria). [Here Karl 9 2/12, Beethoven is 44 11/12]  
Nov 22 B. sent letter to Ries: "... My poor unfortunate brother (Carl) has just died; he had a wretched wife; I might add that he had consuption for several years, and what money I gave to make life easier for him I figure must come to some 10,000 florin (Viennese currency). This is of course nothing to an Englishman, but , for a poor German - or worse yet, an Austrian - it amounts to a great deal. The poor man changed terribly in his last years, and I must say I pitied him with my whole heart. Now I am very happy to be able to say that as far as his support was concerned I have no need to reproach myself. ..." [Wegeler/Ries p121-2]  
Nov 28 B. appealed to Landrecht to exclude Johanna; multiple meetings w/o final agreement; lead to a subseq. 4½ yr legal struggle ending 1820 in B's favor. [B. remained hostile towards Johanna during this time]  
Late Beethoven was invited to compose an oratorio by the Gessellschaft der Musikfreunde with the text to be selected.  
Dec 25 Beethoven helped with a charity concert in the Redoutensaal. Included in the program were premiere performances of the Namensfeier Overture and Meeresstille along with Christus am Oelberge.