LUDWIG VAN BEETHOVEN WORKS BY Hess NUMBER For an explanation of the numbering system see: http://www.unheardbeethoven.org/search/ [For Details see: #1-50, #51-100, #101-150, #151-200, #201-250, #251-300, #301-334]
Compiled by Gary D. Evans [last edit 4/03/2000]
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HESS#
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TITLE - INFORMATION
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DATE Begun | DATE Finished |
| 1 | Original ending to the 8th symphony (op 93) - 1st movement | 1812 | |
| 12 | Oboe Concerto in F | 1790-3 | |
| 13 | Romance for flute, bassoon, piano and orchestra in e | 1786? | |
| 14 | Piano Concerto - 1st movement in Bb - fragment | 1794-5 | |
| 15 | Piano Concerto #6 in D, Incomplete - 1st movement | 1815 | |
| 16 | Original introduction to Choral Fantasia, op 80 | 1818 | |
| 19 | Quintet in Eb | 1793? | |
| 21 | Septet op20 arranged for military band - 1st variation of 4th movement & finale | 1802? | |
| 24 | Fragments of 2nd movement to Duet WoO32 | 1796-97 | |
| 25 | Original finale to String Trio op 3. | 1794? | |
| 28 | Second Trio to the Scherzo for String Trio op 9 #1 | 1797-98 | |
| 29 | Prelude and Fugue in e for 2 violins and cello | 1794-5 | |
| 30 | Prelude and Fugue in F & C for 2 violins, 1 viola and 1 cello | 1794-5 | |
| 33 | Minuet in Ab | 1790-2 | |
| 34 | String Quartet in F, (Arranged from Piano Sonata in E, op. 14 #1) | 1801-2 | |
| 36 | String quartet arrangement of the fugue from the Overture to Handel's Solomon | c 1798 | |
| 37 | Fugue in C minor for 2 Pianos, KV426 - revised by Beethoven | ||
| 38 | String quartet arrangement of Bach's Fugue in bb from Book 1 of the '48' | 1801-2 | |
| 39 | Quintet in F, [lost] | ? | |
| 40 | Prelude and Fugue in d, Fugue part not completed | 1817 | |
| 46 | Violin Sonata in A | 1790-2 | |
| 47 | Piano Trio arrangement of String Trio op 3 - 1st movement & fragments of 2nd | 1800-17? | |
| 48 | Allegretto in Eb for Piano, Cello, and Violin | 1790-2 | |
| 57 | Bagatelle in C | 1824 | |
| 58 | Piano Exercise in Bb major and minor | ||
| 59 | Piano Exercise in C | ||
| 60 | Draft in A for Piano | ||
| 63 | Kaplied, by Schubart, arranged by Beethoven | ||
| 64 | Fugue in C | 1795 | |
| 65 | Little Concert Finale in C, (Arr of coda & finale of 3'd Piano Concerto, op. 37) | 1820-21 | |
| 66 | Allegretto in C Minor | ||
| 67 | Two German Dances in F Major and F Minor | ||
| 68 | Laendler in C Minor | ||
| 69 | Allegreeto in c | c1795-6 | |
| 72 | Theme with variation in A | ||
| 73 | Bagatelle in C Major | ||
| 74 | Bagatelle in Eb Major | ||
| 76 | Reconstructed Cadenzas for Piano Concerto op 15 | ||
| 79 | Sketches and Fragments for Cadenza to Piano Concerto op 19 | ||
| 81 | Cadenza to 1st movement of Concerto #4 | ||
| 82 | Cadenza "senza misura" to the Rondo of Concerto #4 | ||
| 83 | Very brief cadenza to the Rondo for Piano Concerto #4 | ||
| 87 | Piano arrangement of March in Bb (WoO 29) for 6 wind instruments | 1797-8 | |
| 88 | Piano arrangement of Minuet in Ab (Hess 33) for string quartet | 1790-2 | |
| 89 | Piano arrangement of Ritterballett (WoO 1) | ? | |
| 90 | Piano arrangement of Die Geschöpfe des Prometheus (op. 43) | 1801 | |
| 91 | Arrangment of Opferlied (op. 121b) for soprano, choir and piano, (Pub. 1825) | ? | |
| 92 | Bundeslied op 122 for voice and piano | ||
| 93 | A simplified setting and 2 keyboard vrs of Clärchen's Lied, #4 of Egmont (op.84) | 1810 | |
| 94 | |||
| 95 | |||
| 96 | Symphony #7 op92 for Piano - fragment | ||
| 97 | Piano arrangement of Wellingtons Sieg (op.91) | 1816 | |
| 98 | Scherzo from the Piano Trio op 1 #2 for Piano (fragment/completed) | ||
| 99 | Piano arrangement of Military March in F (WoO 18) | 1809 | |
| 100 | Piano versions of WoO 8 | ? | |
| 101 | Piano version of WoO 7 | ? | |
| 102 | Piano version of WoO 14 | ? | |
| 107 | Grenadiermarsch for mechanical clock in F, [20 bar march by Haydn, arr. of WoO 29] | ? | |
| 108 | Orig. version for Maelzel's panharmonicon of op. 91, 2'd part ["Siegessymphonie"] | 1813 | |
| 110 #4 |
Terzet, "Gut, soehnchen, gut" from 1806 version of Leonore |
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| 110 #8 | Recitative and Aria, "Ach, brich noch nicht-Komm, Hoffnung" from 1806 version of Leonore. | ||
| 111 | Duet, "Nur hurtig fort, nur frisch gegraben," early version | ||
| 112 | Rocco's Gold Aria, cut from the 1806 version of Leonore | ||
| 113 | Marzelline's Aria, with an abbreviated conclusion | ||
| 114 | Recitative for Don Fernando, Dresden version of Fidelio | ||
| 115 | Opera Vestas Feuer, Unfinished | 1803 | |
| 118 | Complete music for Die Weihe des Hauses, () [adapted frm Die Ruinen von Athen, op. 113] | 1822 | |
| 121 | Aria of Marzelline, "O waer ich schon mit dir vereint," in C major for voice and orchestra | ||
| 122 | Aria of Marzelline, "O waer ich schon mit dir vereint," in C minor for voice and orchestra | ||
| 125 | Hochzeitslied WoO 105 in C for unison voices | ||
| 133 | "Das liebe Kätzchen", (Pub. 3/1820) Austrian | ? | |
| 134 | Der Knabe auf dem Berge, (Pub. 3/1820) Austrian | ? | |
| 137 | Song, "Ich wiege dich in meinem Arm, [Author?] lost | c 1795? | |
| 139 | Song, "Minnesold von Bürger, in Tönen an Amenda ausbezahlt, () [Author ?] lost | c 1798 | |
| 140 | Dimmi, ben mio, che m'ami, later version of op 82 #1 | ||
| 141 | Busslied op 48 #6 - another version of the last 12 bars | ||
| 142 | Wonne der Wehmut, earlier version of op 83 #1 | ||
| 143 | Song, "An die Freude", () lost [Friedrich von Schiller-"Freude, schöner Götterfunken"]Was early setting of Schiller's "To Joy". Ref. to by Ries, 1803. 2 sketches survive frm 1798. | c1798-9 | |
| 144 | Feuerfarb, earlier version of op 52 #2 | ||
| 145 | Opferlied, 1st version | ||
| 146 | Der freie Mann, earlier version | 1794 | |
| 150 | Heidenroeslein, for voice and piano - sketch | ||
| 168 | No Title or Text, (Pub. early 1817) French | ? | |
| 178 | Tis Sunshine at Last, version of WoO 153 #13 for Duet | ||
| 191 | The Vale of Clwyd WoO 155 #19, early version | ||
| 192 | "On the Massacre of Glencoe, (Pub. 1813) Scott (Replaced by WoO 152 #5) | ? | |
| 193 | Farewell Bliss and Farewell nancy WoO 152 #20 - early version of codas | ||
| 194 | "I Dream'd I Lay", (Pub 7/1810) (Replaced by WoO 153 #5) | ||
| 195 | "When Far from the Home", (Pub. 1813) (Replaced by WoO 153 #11) | ? | |
| 196 | "I'll Praise the Saints", [Pub. 7/1810] (Replaced by WoO 153 #12) | ? | |
| 197 | "Tis but in Vain", (Replaced by WoO 153 #15) | 7/1810 | |
| 198 | "Oh Would I Were", [Pub. 2/1812] (Replaced by WoO 154 #9) | ? | |
| 200 | The Maid of Isla, 1st and 2nd versions of op108 #4 | ||
| 201 | Bonnie Laddie, Highland Laddie, 1st version of Violin part to op 108 #7 | ||
| 202 | Oh! Thou art the Lad of my Heart, Willy, 1st version of op 108 #11 | ||
| 203 | "Faithfu' Johnie", [Pub. 7/1810] (Replaced by WoO 108 #20) | ? | |
| 204 | "O let the Night" | ||
| 205 | The Dream, another version of WoO 155 #12 | ||
| 206 | "To the Blackbird", [Pub. 7/1810] (Replaced by WoO 155 #20) | ? | |
| 207 | Como la Mariposa, Alternate coda to WoO 158a #20 | ||
| 229 | "Languisco e moro" | early1803 | |
| 232 | E pur fra le tempeste, Tenor Melody | ||
| 233 | ~300 simple contrapuntal exercises on cantus firmi | 1793 | |
| 234 | ~125 exercises in strict counterpoint | 1794-5 | |
| 235 | 26 exercises in free counterpoint | 1794-5 | |
| 236 | 18 simple 2 part fugues (strict) | 1793-5 | |
| 237 | 7 simple 3 part figures (strict) | 1793-5 | |
| 238 | 9 simple 4 part figures (strict) | 1793-5 | |
| 239 | 3 chorale fugues | 1793-5 | |
| 240 | 4 2-part exercises in double counterpoint | 1793-5 | |
| 241 | 21 exercises in double counterpoin | 1793-5 | |
| 242 | 6 exercises in double counterpoint | 1793-5 | |
| 243 | 5 4-part fugues in double counterpoint | 1793-5 | |
| 244 | 2 4-part triple fugues | 1793-5 | |
| 245 | Fragment of a fugue in d for string quartet | 1793-5 | |
| 246 | Double fugue in F for 4-part choir | 1793-5 | |
| 250 | Ich kuesse Sie, druecke Sie an mein Herz, Riddle canon in C | ||
| 254 | Hol dich der Teufel | ||
| 256 | "Sankt Petrus ist ein Fels," Musical Joke for three voices in A | ||
| 260 | Canon, "Fettluemerl und Bankert haben triumphirt" | ||
| 263 | Te Solo Adoro, Canon for 2 voices in Eb | ||
| 274 | Untexted canon in G | early1803 | |
| 275 | Untexted canon in Ab | c11/1803 | |
| 276 | "Herr Graf, ich komme zu fragen" | 1797? | |
| 277 | "Esel aller Esel" | c 9/1826 | |
| 285 | Musical Joke, "Tobias" | ||
| 297 | Adagio for 3 horns in F | 1815 | |
| 298 | Symphony in C minor | ? | |
| 299 | 2-part canon, "ester Magistrat" | 1820 | |
| 300 | Canon, "Liebe mich, werter Weissenbach", for Aloys Weissenbach? | c 1/1820 | |
| 301 | "Wähner...es ist kein Wahn," for Friedrich Wähner? | c 1/1820 | |
| 302 | Canon "Uns geht es kannibalisch wohl als wie fuenfhundert Saeuen" for four voices | 1825 | |
| 303 | Cannon, "Grossen Dank Fuer Solche Gnade" | July 1823 | |
| 304 | Canon, "Ich Blase das Fagot" | ? | |
| 305 | Canon, "Geschlagen ist der Feind" - sketch | 1813 | |
| 321 | Little Instrumental Melody in Bb | 1800? | |
| 322 | Gott allein ist unser Herr, er allein - vocal melody in Eb | 1818 | |
| 323 | Leb wohl, schoene Abendsonne, Vocal melody in C | 1818 | |
| 324 | Melody in C minor | 1802-03 | |
| 325 | Piece in D | 1802-03 | |
| 326 | 4 Part Fugue in C - sketch | 1800-01 | |
| 327 | 2 Little Melodies in A minor | 1803 | |
| 331 | Minuet in Bb | 1799 | |
| 332 | Pastorella in D | 1799 | |
| 333 | Minuet-Scherzo in A for String Quartet | 1799 | |
| 334 | Draft of a Presto in A (for string quartet ?) | 1799 |