Dear Macco!
                
                      When 
                I tell you that your letter has given me more pleasure than I 
                could derive from that of any king or minister whatsoever, it 
                is nothing but the truth. At the same time I must confess that 
                to a certain extent you are really shaming me by your magnanimity. 
                For in view of my reserved behavior to you I am far from meriting 
                your kindness. Indeed I was very sorry that I could not spend 
                more time with you when you were in Vienna. But there are periods 
                in human life which have to be lived through and which are often 
                viewed from the wrong angle. Apparently you your self as a great 
                artist are not quite unacquainted with such experiences and therefore--I 
                gather that I have not forfeited your liking. This realization 
                is most gratifying to me, because I have a very high opinion of 
                you and because I only wish that I could have such an artist in 
                my own profession at my side. Meissner's offer is very welcome 
                to me. There is nothing I could desire more than to receive such 
                a poem from him who is so honored as a writer and at the same 
                time understands musical poetry better than any of our writers 
                in Germany. But at the moment it would be impossible for me to 
                compose this oratorio at once, because I am only now beginning 
                to work at my opera and because it is quite possible that this 
                opera Will not be produced until Easter -- so if Meissner for 
                his part were not to hasten unduly to publish his poem, it would 
                suit me well if he would not allow me to set it to music. And 
                if the poem is not quite finished, I myself would prefer that 
                M[eissner] would not hurry too much with it. For I would go to 
                Prague directly before or after Easter and would then let him 
                hear some of my recent compositions; and this would make him more 
                familiar with my style of composition and would either - make 
                him more enthusiastic - or make him stop writing and so forth 
                -- Recount all that in detail to Meissner, dear Macco -- and now 
                let us stop talking - I shall always be delighted to receive a 
                reply form you about this project. Please convey to Meissner feeling 
                of devotion and my deep regard -- Once more my heartfelt thanks, 
                dear Macco, for remembering me. Continue to paint - and I shall 
                cobtinue to write down notes; and thus we shall live - for ever? 
                - yes, perhaps, for ever. 
                                                                      Your 
                most affectionate
                                                                                                          Beethoven