To Johann Friedrich Rochlitz, Leipzig
Vienna, January 4, 1804

Anderson v1 pg105-106 - letter #87a

 

 

       The extreme delay in returning your libretto to you, my most esteemed Sir, should be ascribed to the hesitation and the dilatoriness of him who not only directs the Wiedener Theater but also censors its productions -- However fortunate I should have counted myself to be allowed to compose the music for this text, yes it would have been quite impossible to do this now. If the subject had not been connected with magic, your libretto might have extricated me this very moment for my most embarrassing situation. For I have finally broken with Schikaneder, whose empire has really been entirely eclipsed by the light of the brilliant and attractive French operas. Meanwhile he has kept me back four fully six months, and I have let myself be deceived simply because, since he is undeniably successful at creating stage effects, I hope that he would produce something more brilliant than usual. But how greatly have I been misled. I hope to at least he would have the verses and the contents of the libretto corrected and considerably improved by someone else, but in vain. For it was impossible to persuade this fellow, who is so infatuated with his own opinion, to do this. Well, I withdrew from my arrangement with him, although I've for my part had composed several numbers. Just picture to your self a Roman subject (of which I had been told neither the scheme nor anything else whatever) and language and verses such as could proceed only out of the mouths of our Viennese apple-women -- Well, I have quickly had an old French libretto adapted and I'm now beginning work on it. [Anderson footnote: "The French libretto by J. N. Bouilly 'Leonore ou l'amour conjugal', which Sonnleithner translated and adapted for Beethoven."] If your opera had not been an opera with magic, I would've snatched it with both hands. But the public hearing is now as prejudiced against a subject of that kind as informally look for and desired it -- Such too is the opinion of the stage sensor, who also maintains that however excellent one may find the first act, yet it is impossible to form a judgment of the whole subject without having the two acts -- Pray do not let yourself be put off by this opinion, but as soon as you have written another opera, which, however, would have to be a complete one, send it to me; and rest assured that you will also be handsomely paid for it, because the owner of the Wiedener Theater is really not niggardly about anything pertaining to the theater! Meanwhile I am delighted to have made your acquaintance in this way and I hope that this present disagreeable incident will not prevent you from bearing me in mind now and then and from applying to me immediately, should I be in a position to serve you -- True enough, I could feel a little angry with you for having so many false reports about me inserted, but no -- I realize that you are doing this purely out of ignorance of the conditions prevailing in this city and the great number of enemies I have in Vienna --

                                   All good wishes.
                                                          You're most devoted
                                                                                        Beethoven