PS.
                     I 
                received only yesterday your letter dated January 30th -- If requested 
                to do so, the postal dispatch office here can testify to the truth 
                of my statement, for I naturally had to inquire why the letter 
                had been kept back for so long. I was then given quite credible 
                information about the arrival of the letter and everything else; 
                from which it appears that the letter was not held up at all -- 
                and this fact I can have in writing at any moment, if I ask for 
                it -- though I can't fully understand the connexion between your 
                Paris letter and the long delay in your latest reply -- yet the 
                whole procedure is altogether far too humiliating for me to waste 
                even one word upon it -- And in any case you have been acquainted 
                with a reason for the delay -- If any mistake was made, then it 
                was due to the fact that my brother was wrong about the time 
                which the copying took -- the fee is much lower than what 
                I usually accept -- Beethoven is no braggart and he despises whatever 
                he cannot obtain solely by his art and his own merits -- 
                Send me back, therefore, all the manuscripts you have had from 
                me, including the song [WoO 130] -- I can not and will 
                not accept a lower fee. You can have the manuscripts, but 
                only for the fee we have already agreed upon -- As the oratorio 
                has now been dispatched, it can remain with you until you have 
                had it performed, which you are at liberty to do even 
                though you may not wish to keep it --After the performance 
                you can return it to me; and if you are then willing to pay 
                the fee of 500 gulden V.C. [Viennese Gulden] on the understanding 
                that you publish it only in score and that I 
                retain the right to publish the pianoforte arrangement here in 
                Vienna, please let me have a reply [Anderson footnote: 
                "Op. 85 was published in score by Breitkopf & Härtel 
                in October, 1811. This firm published the pianoforte arrangement 
                at the same time."] -- There are no intermediaries, and 
                they're never have been any, to prevent a close association between 
                you and me -- No -- the obstacles are to be found in the nature 
                of the transaction -- which I am neither able nor willing 
                to alter -- All good wishes.
                                                                                                  Ludwig 
                van Beethoven