BEETHOVEN'S WORKS BY DATE COMPLETED
Compiled by Gary D. Evans
Last Updated:
March 24, 2019 4:28 PM
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ID#
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TITLE / INFORMATION
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DATE
Completed |
MISC. INFO
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1782 - Age 12
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WoO 63 | 9 Variations for Piano in c | on March by Dressler; 1st pub. Wk. Ded:Countess Wolf-Metternich | |
1783 - Age 13
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WoO 31 | Fugue for Organ |
c. 1783
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WoO 47#1 | Pianoforte Sonata in Eb | [Published 10/14/83] Ded Archbishop Maximilian Friedrich | |
WoO 47#2 | Pianoforte Sonata in f | Ded Archbishop Maximilian Friedrich | |
WoO 47#3 | Pianoforte Sonata in D | Ded Archbishop Maximilian Friedrich | |
WoO 48 | Rondo for Piano in C | ||
WoO 49 | Rondo for Piano in A | ||
1784 - Age 14
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WoO 108 | Song, "An einen Säugling" |
1784?
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[J.von Döhring-"Noch weisst du nicht wess Kind du bist"] |
1785 - Age 15
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WoO 36 | Three piano quartets in Eb, D, C | ||
1786 - Age 16
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Hess 13 | Romance for flute, bassoon, piano and orchestra in e | ||
WoO 37
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Trio Concertante in G for Flute, Bassoon & Piano, | ||
1787 - Age 17
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Op 19 | 2nd piano conc. in Bb | Early version. Beethoven felt not of best quality. | |
1788 - Age 18
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1789 - Age 19
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Op 39 | Preludes for Organ or Piano through all 12 major keys #1 and #2 in C |
c. 1789
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Published 1803 |
1790 - Age 20
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Anh 4
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Sonata in Bb for Flute | Possibly spurious. Found w/ Beethoven's papers in another hand. | |
Hess 63 | Kaplied, by Schubart, arranged by Beethoven | ||
WoO 87 | Cantata on the Death of Emperor Joseph II | [Joseph II died 2/20/1790] | |
WoO 89 | Prufung des Kussens | ||
WoO 90 | Mit Madeln sich vertragen | ||
WoO 113 | Song, "Klage" |
c. 1790
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[L. Hölty-"Dein Silber schien durch Eichengrün"] |
WoO 110 | Song, "Elegie auf den Tod eines Pudels" |
c. 1790
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[Author?-"Stirb immerhin"] |
WoO 88 | Cantata on the Elevation of Leopold II |
10/1790
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[Leopold II elected emperor 9/30/1790] ??? Cantata Un lieto brindisi, written for name-day of Giovanni Malfatti (St. John's Day) (6/1814). |
1791 - Age 21
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Hess 89 | Piano arrangement of Ritterballett (WoO 1) | ||
WoO 1 | Musik zu einem Ritterballett | 1. March 5 War Dance 2. German Song 6. Drinking Song 3. Hunting Song 7. German Song 4. Love Song 8. Coda op. 43, Ballet: Die Geschöpfe des Prometheus (The Creatures of Prometheus), (1800-1) Overture in C Introduction: La Tempesta 1. Poco adagio - Allegro con brio 9. Adagio 2. Adagio - Allegro con brio 10. Pastorale 3. Allegro vivace 11. Andante 4. Maestoso - Andante 12. Solo de Gioja 5. Adagio - Andante quasi Allegretto 13. Allegro 6. Un poco Adagio - Allegro 14. Solo della Cassentini 7. Grave 15. Solo di Vigano 8. Allegro con Brio 16. Finale | |
WoO 64 | 6 Variations for Harp or Piano in F | on a Swiss Song | |
WoO 65 | 24 Variations in D |
8/1791
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on Arietta "Venni Amore" by Righini |
WoO 92 | Soprano aria |
c. 1791
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WoO 111 | Song, "Punschlied" |
c. 1791
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[Author?-"Wer night, wenn warm"] |
1792 - Age 22
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WoO 115 | Song, "An Minna" |
c. 1792
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[Author?-"Nur bei dir, an deinem Herzen"] |
WoO 109 | Song, "Trinklied" |
c. 1792
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[Author?-"Erhebt das Glas"] |
WoO 66 | 13 Variations for Piano and Cello in A | on "Es war einmal ein alter Mann" from Dittersdorf's Das rote Käppchen | |
WoO 67 | 8 Variations for Pianoforte duet in C | on a theme comp. by Count von Waldstein; published 1794 | |
Hess 48
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Allegretto in Eb for Piano, Cello, and Violin | ||
Op 44
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Trio for Piano, #9 in Eb (14 variations) |
c. 1792
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Hess 46
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Violin Sonata in A fragments | (mp3 here) | |
WoO 26
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Duet for Flutes, Allegro & Minuet |
8/1792
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Op 103
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Octet for Winds in Eb |
11/1792
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Written in Bonn then rev. in Vienna 1793. Later recomposed as op 4 |
WoO 50 | 2 movements of a Sonata in F | Ded to Franz Wegeler | |
Hess 88 | Piano arrangement of Minuet in Ab (Hess 33) for string quartet | ||
Hess 144 | Feuerfarb, earlier version of op 52 #2 | ||
Hess 33 | Minuet in Ab | ||
WoO 112 | Song, "An Laura" |
c. 1792
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[Friedrich von Matthisson] |
WoO 114 | Song, "Ein Selbstgespräch" | [J.W.L. Gleim] | |
Anh. 5
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2 Sonatinas in G | Probably spurious | |
1793 - Age 23
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WoO 51 | Easy Pianoforte Sonata in C, a fragment | [portions lost] Ded Eleonore von Breuning | |
WoO 25
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Rondo in Eb | ||
Hess 12
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Oboe Concerto in F | ||
Hess 19
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Quintet in Eb |
?1793
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Hess 60 | Draft in A for Piano | ||
Hess 233 | ~300 simple contrapuntal exercises on cantus firmi | ||
Hess 298 | Symphony in C minor | ||
WoO 6 | Rondo for Piano and Orchestra in Bb | [Was probably original finale to op.19] | |
WoO 4 | Piano Concerto in Eb | Only piano part w/ orch. cues survive) (Ded. to Eleonore von Breuning in 1793. In his letter to her 1793 he explained that he had added trills to make the piece difficult to play for competing Viennese pianists. Quoting from Wegeler p55-6: "The trill is continued over several bars with changing fingering while the 3 other fingers are also occupied at the same time. The fingering | |
WoO 40 | 12 Variations for Piano & Violin in F | on "Se vuol ballare" from Mozart's N. di Figaro | |
WoO 81 | Allemande in A |
c. 1793
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revised 1822 |
1794 - Age 24
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Hess 146 | Der freie Mann, earlier version | ||
WoO 116 | Song, "Que le temps me dure" |
early 1794
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(?"Moll und Dur") 2v. c,C [Jean-Jacques Rousseau] |
WoO 117 | Song, "Der freie Mann" | Written 1792, revised 1794 [G.C.Pfeffel-"Wer ist ein freier Mann?"] | |
WoO 119 | Song, "O care selve" |
c. 1794
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[Pietro Metastasio] |
Op 1 #1
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Trio for Piano, Violin and Cello #1 in Eb | ||
Op 1 #2
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Trio for Piano, Violin and Cello #2 in G | ||
Op 1 #3
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Trio for Piano, Violin and Cello #3 in c | ||
WoO 41
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Rondo for pianoforte and violin in G | ||
1795 - Age 25
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WoO 68 | 12 Variations in C | on "Menuett a la Vigano' from Haibel's ballet Le nozze disturbate | |
WoO 69 | 9 Variations in C | on "Quant' e' piu bello" by Paisiello's La molinara | |
WoO 70 | 6 Variations in G | on "Nel cor Piu non mi sento" from Paisiello's La molinara | |
Hess 14 | Piano Concerto - 1st movement in Bb - fragment | (mp3 here) | |
Hess 29
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Prelude and Fugue in e for 2 violins and cello | ||
Hess 100 | Piano versions of WoO 8 | ||
Hess 137 | Song, "Ich wiege dich in meinem Arm" |
c.1795?
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[Author?] lost (ref. to by Beethoven 1822, in a price list for possible publ. |
WoO 118 | Song, "Seufzer eines Ungeliebten; Gegenliebe", | [Gottfried August Bürger-"Hast du nicht Liebe zugemessen"; "Wüsst ich, dass du mich lieb" (Gegenliebe melody later in Choral Fant. op. 80) | |
WoO 123 | Song, "Zärltliche Liebe" |
c. 1795
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[Karl Friedrich Herrosee-"Ich liebe dich"] |
Hess 232 | E pur fra le tempeste, Tenor Melody | ||
Hess 233
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~300 simple contrapuntal exercises on cantus firmi | ||
Hess 234
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~125 exercises in strict counterpoint | ||
Hess 235
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26 free exercises | ||
Hess 236
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18 simple 2 part fugues (strict) | ||
Hess 237
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7 simple 3 part figures (strict) | ||
Hess 238
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9 simple 4 part figures (strict) | ||
Hess 239
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3 chorale fugues | ||
Hess 240
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4 2-part exercises in double counterpoint | ||
Hess 241
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21 exercises in double counterpoint | ||
Hess 242
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6 exercises in double counterpoint | ||
Hess 243
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5 4-part fugues in double counterpoint | ||
Hess 244
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2 4-part triple fugues | ||
Hess 245
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Fragment of a fugue in d for string quartet | ||
Hess 246
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Double fugue in F for 4-part choir | ||
Op 87
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Trio for Winds in C |
c. 1795
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Hess 30
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Prelude & Fugue in F & C for 2 violins, 1 viola and 1 cello | ||
Hess 31 | Prelude and Fugue in C (mp3 here) | ||
Op 3
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String Trios in E | ||
Op 129 | Rondo a capriccio G, | "Die Wut über den verlorenen Groschen" not completed | |
WoO 72 | 8 Variations in C |
c. 1795
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on "Une fievre brulante' " by Grettry's Richard Coeur de Lion |
Op 4
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Quintet for Strings in Eb | Recomposition of Octet op. 103 | |
WoO 28 | Variations for 2 oboes & horn in C, on "La' ci darem" from Mozart's "Don Giovanni" |
c. 1795
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Hess 64 | Fugue in C | ||
WoO 52 | Presto in c |
c. 1795
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revised 1798 and 1822; Originally intended for Piano Sonata |
WoO 91 | 2 arias in Bb |
c. 1795
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"O welch ein Leben" in F; "Soll ein Schuh nicht drünken?" |
Op 81b
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Sextet for Horns and Strings in Eb |
1795?
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WoO 7 | 12 Minuets in D, Bb, G, Eb, C, A, D, Bb, G, Eb, C, F | [comp. for Grand ball of the Gesellshaft der bildenden Künstler] | |
WoO 8 | 12 German Dances in C, A, F, Bb, Eb, G, C, A, F, D, G, C | ||
WoO 9 | 6 Minuets in Eb, G, C, F, D, G | ||
WoO 10 | 6 Minuets in Eb, G, C, F, D, G | ||
WoO 159 | "Im Arm der Liebe" |
c. 1795
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WoO 160 | Two Canons, untexted, in G and C |
c. 1795
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1796 - Age 26
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Anh. 6
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Rondo in Bb | Probably spurious | |
Hess 69 | Allegreeto in c | ||
Hess 79 | Sketches and Fragments for Cadenza to Piano Concerto op 19 | ||
Hess 145 | Opferlied, 1st version | ||
Hess 150 | Heidenroeslein, for voice and piano - sketch | ||
WoO 124 | Song, "La partenza" | [Pietro Metastasio-"Ecco quel fiero istante] | |
WoO 12
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12 Minuets | spurious, not Beethoven's - by brother Carl | |
WoO 16
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12 Ecossaises, spurious, not Beethoven's | Probably spurious | |
WoO 131 | Song, "Erlkönig" | [unfinished] | |
Op 65 | Scena and aria (for soprano voice and orchestra) | "Ah! perfido" | |
Op 46 | Song, "Adelaide" |
c. 11/1796
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[Friedrich von Matthisson] |
WoO 42 | 6 German Dances in F, D, F, A, D, G | Ded. To "The two Countesses Thur" - Probably wife of Prince Lichnowsky and one of her 2 sisters was wife of Count Razumovsky and their mother was former patroness of Mozart and Haydn. | |
Op 10 #1 | Allegretto in c | rev. 1822 - ?Hess 69? | |
WoO 45 | 12 Variations for Cello & Piano in G, | on a theme in Handel's "Judas Maccabeus" | |
Op 2 #1 | Sonata #1 in f | Ded. To Haydn | |
Op 2 #2 | Sonata #2 in A | Ded. To Haydn | |
Op 2 #3 | Sonata #3 in C, Finale | Ded. To Haydn | |
WoO 44#2
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Andante & Variations for Mandolin in D |
4/1796
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[for Countess Josephine de Clary in Prague] |
Op 16 #1
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Quintet for Piano, Oboe, Clarinet and Bassoon in Eb |
7/1796
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Op 16 #2
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Quintet for Piano, Oboe, Clarinet and Bassoon in Eb |
7/1796
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Op 71
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Sextet for Winds in Eb | ||
Op 5 #1
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Sonata for Cello #1 in F, Mozart Var. |
7/1796
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[Cmp in Berlin for court cellist Jean-Louis Duport] |
Op 5 #2
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Sonata for Cello #2 in g, Handel Var. |
7/1796
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[Cmp in Berlin for court cellist Jean-Louis Duport] |
WoO 43#2
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Adagio for Mandolin in Eb | Dedicated to Countess Josephine de Clarary. | |
No Class. | Symphony in C | [Incomplete] | |
Op 25
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Serenade for Flute, Violin and Viola in D | ||
Op 66
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Var.'s for Pianoforte & Cello in F |
?1796
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on "Ein Mädchen oder Weibchen" from Mozart's Magic Flute [See trio variations for piano, Violin and Cello above op.44, op121a] |
WoO 44#1
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Andante & Variations for Mandolin in C |
4/1796
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[for Countess Josephine de Clary in Prague] |
Op 50
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Romance #2 in Fr Mandolin in c, |
4/1796
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[for Countess Josephine de Clarary in Prague] |
Op 49 #2, | Sonata #20 in G | ||
WoO 71 | 12 Variations in A |
11/1796
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on the Russian Dance in Paul Wranitzky's ballet "Das Waldmadchen" |
1797 - Age 27
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Hess 5 | Twelve German Dances (see: WoO 13) | ||
Hess 24 | Fragments of 2nd movement to Duet WoO32 | ||
Op 51#1 | Rondo in C | ||
Op 7 | Sonata #4 in Eb | Ded to Countess Keglevics | |
WoO 32
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Duet for Violin and Cello in Eb | ||
WoO 53 | Allegretto in c for piano | ||
WoO 13 | 12 German Dances in D, Bb, G, D, F, Bb, D, G, Eb, C, A, D | ||
WoO 122 | Song, "Kriegslied der Osterreicher" | [von Friedelberg-'Ein grosses deutches Volk] | |
Hess 276 | "Herr Graf, ich komme zu fragen" |
1797?
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Op 8
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Serenade for Viola, Violin and Cello in D | ||
Op 6 | Sonata for Piano Duet in D | ||
1798 - Age 28
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Op 11
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Trio for Clarinet in Bb | Ded: Countess Maria Wilhelmine von Thun | |
Hess 87 | Piano arr. of March in Bb (WoO 29) for 6 wind instruments | ||
Op 12 #1
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Violin Sonata #1 in D | ||
Op 12 #2
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Violin Sonata #2 in A | ||
Op 12 #3
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Violin Sonata #3 in E | ||
Op 40
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Romance # for Violin and Orchestra |
c. 1798
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Op 10 #1 | Sonata #5 in c |
1798?
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Ded to Countess Browne |
Op 10 #2 | Sonata #6 in F | Ded to Countess Browne | |
Op 10 #3 | Sonata #7 in D | Ded to Countess Browne | |
WoO 121 | Song, "Abschiedsgesang an Wiens Bürger" |
c. 1798
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[von Friedelberg-"Keine Klage soll erschallen"] |
Hess 139 | Song, "Minnesold von Bürger, in Tönen an Amenda ausbezahlt |
c. 1798
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[Author ?] lost |
WoO 205a | "Baron, Baron, Baron", musical quip |
c. 1798
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[In letter Zmeskall, Letter 29] |
WoO 29 | March in Bb | [also considered chamber piece with winds]. See Hess 107 | |
Op 9 #1
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Trio for Strings in G | ||
Op 9 #2
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Trio for Strings in D | ||
Op 9 #3
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Trio for Strings in c | ||
Op 18 #1
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Quartet #1 in F, "Lobkowitz Quartet" |
8/1798
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Hess 28 | Second Trio to the Scherzo for String Trio op 9 #1 | ||
Hess 36
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String quartet arrangement of the fugue from the Overture to Handel's Solomon |
c. 1798
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Hess 66 | Allegretto in C Minor | ||
Op 14 #1 | Sonata #9 in E |
7/1798
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Ded to Baroness Braun |
1799 - Age 29
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Hess 76 | Reconstructed Cadenzas for Piano Concerto op 15 | ||
Hess 98 | Scherzo from the Piano Trio op 1 #2 for Piano (fragment/completed) | ||
Hess 331 | Minuet in Bb | ||
Hess 332 | Pastorella in D | ||
Hess 333 | Minuet-Scherzo in A for String Quartet | ||
Hess 334 | Draft of a Presto in A (for string quartet ?) | ||
Op 14 #2 | Sonata #10 in G | Ded to Baroness Braun | |
WoO 33
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Five pieces for Count Deym's mechanical clock | including Adagio in F#1 | |
Op 13 | Sonata #8 in c, Pathétique | Ded to Prince Lichnowsky | |
WoO 73 | 10 Variations (Salieri) in B | on "La stessa la stessissima" by Salieri | |
WoO 75 | 7 Variations in F, "Kind, willst du ruhig schlafen | from Winter's Das unterbrochene Opferfest | |
WoO 76 | 6 Variations in F | on "Tändeln und Scherzen" from Süsmayr's Soliman II | |
WoO 127 | Song, "Neue Liebe, neues Leben" | [Johann Wolfgang von Goethe] | |
WoO 125 | Song, "La tiranna" | [William Wennington-"Ah grief to think"] (1st attempt at Eng.text) | |
WoO 128 | Song, "Plaisir d'aimer | [Author ?] | |
Hess 143 | Song, "An die Freude" | lost [Friedrich von Schiller-"Freude, schöner Götterfunken"] Was early setting of Schiller's "To Joy". Referred to by Ries, 1803. 2 sketches survive from 1798. | |
1800 - Age 30
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WoO 77 | 6 Variations in G | on an original Theme | |
Op 21 | Symphony #1 in C | [To Baron van Swieten] | |
Hess 58 | Piano Exercise in Bb major and minor | ||
Hess 59 | Piano Exercise in C | ||
Hess 73 | Bagatelle in C major | ||
Hess 74 | Bagatelle in Eb major | ||
Hess 321 | Little Instrumental Melody in Bb | ||
Op 18 #2
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Quartet #2 in G, "Lobkowitz Quartet" | ||
Op 18 #3
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Quartet #3 in D, "Lobkowitz Quartet" | ||
Op 18 #4
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Quartet #4 in c, "Lobkowitz Quartet" | ||
Op 18 #5
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Quartet #5 in A, "Lobkowitz Quartet" | ||
Op 18 #6
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Quartet #6 in B, "Lobkowitz Quartet" | ||
Op 20
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Septet for Violin,Viola, Clarinet, Horn, Bassoon, Cello & Double Bass Eb | Theme from op49#2 | |
Op 23
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Violin Sonata #4 in a (Mozart Variations) | ||
Op 24
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Violin Sonata #5 in F (Spring Sonata) | ||
Op 17
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Sonata for Horn in F, () | Ded to Baroness Braun | |
Op 22 | Sonata #11 in Bb | Ded to Count Browne | |
1801- Age 31
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WoO 46 | Variations for Cello & Piano in Eb | on "Bei Männern, welche Liebe Fühlen" from Magic Flute (Mozart) | |
Hess 52 | Piano Sonata 'Nr. 15' in C | ||
Hess 90 | Piano arr. of Die Geschöpfe des Prometheus (op. 43) | ||
Hess 254 | Hol dich der Teufel | ||
Hess 326 | 4 Part Fugue in C - sketch | ||
Op 26 | Sonata #12 in Ab | Ded Prince Lichnowsky [3'd mvmnt arg'd for Funeral March WoO96] | |
Op 27 #1 | Sonata #13 in Eb, (Sonata quasi una fantasia Sonata) | Ded Princess von Liechtenstein | |
Op 27 #2 | Sonata #14 in c#, (Sonata quasi una fantasia) "Moonlight" | Ded Countess Guicciardi | |
Op 28 | Sonata #15 in D, Pastoral Sonata | Ded to Joseph Sonnenfels | |
Op 43 | Creatures of Prometheus, (1800-1801) | ||
Op 29
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Quintet for Strings in C | Ded to Count Fries | |
WoO 14 | 12 Contradanses in C, A, D, Bb, Eb, C, Eb, C, A, C, G, Eb | ||
WoO 100 | Lob auf den Dicken: Musikalischer Scherz |
late 1801
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1802- Age 32
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Op 48 #1 | Song, "Bitten" | [Christian Fürchtegott Gellert-"Gott,deine Güte reicht so weit"] | |
Op 48 #2 | Song, "Die Liebe des Nächsten" |
early 1802
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[C.F.Gellert-"Die Liebe des Nächsten ('So jemand spricht')"] |
Op 48 #3 | Song, "Vom Tode" | [Christian Fürchtegott Gellert-"Meine Lebenszeit verstreicht"] | |
Op 48 #4 | Song, "Die Ehre Gottes aus der Natur" | [C.F. Gellert-"Die Himmel rühmen"] | |
Op 48 #5 | Song, "Gottes Macht und Vorsehung" | [Christian Fürchtegott Gellert-"Gott ist mein Lied"] | |
Op 48 #6 | Song, "Busslied" | [Christian Fürchtegott Gellert-"An dir allein"] | |
Op 48 #7 | Song, "Sechs Leider nach gedichten von Gellert" | [C.F. Gellert] ** ? #7 ** | |
Op 48 #8 | Song, "Sechs Geistliche Lieder" | [C.F. Gellert] ** ? #8 ** | |
WoO 101 | "Graf, Graf, liebster Schaf" | musical joke | |
WoO 120 | Song, "Pour Madame Weissenthurn" |
c.1802
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[Author?-"Man strebt die Flamme zu verhehlen"] |
Op 36 | Symphony #2 in D | [To Prince Lichnowsky] | |
Op 31 #1 | Sonata #16 in G | Commissioned by publisher | |
Op 31 #2 | Sonata #17 in d | Commissioned by publisher | |
Op 31 #3 | Sonata #18 in Eb | Commissioned by publisher | |
Op 51 #2 | Rondo in G | ||
Op 35 | 15 variations on a theme for fuga in Eb [Eroica Var] | ||
Op 34 | 6 Variations in F | on original theme. Ded to Princess Odescalchi | |
Op 33 | 7 Bagatelle | ||
Op 30 #3
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Violin Sonata #8 in G (Allegro Vivace) | Ded to Czar Alexander I of Russia | |
Op 30 #1
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Violin Sonata #6 in A | Ded to Czar Alexander I of Russia | |
Op 30 #2
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Violin Sonata #7 in c | Ded to Czar Alexander I of Russia | |
WoO 43#1
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Sonatina: Adagio fo1 in G for Violin and Orchestra, (-) | ||
WoO 54 | Lustig-traurig" in C | ||
WoO 15 | 6 Ländler in D, D, D, d, D, D | ||
Hess 21 | Septet op20 arranged for military band - 1st variation of 4th movement & finale | ||
Hess 34
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String Quartet in F, (Arranged from Piano Sonata in E, op. 14 #1) | ||
Op 40 |
Romance for Violin and Orchestra Accomp. in G |
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Op 50 | Romance for Violin and Orchestra Accomp. in F, | ||
??
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Quartet in F | (Arranged from Piano Sonata in E, op. 14 #1) | |
Hess 38
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String quartet arrangement of Bach's Fugue in bb from Book 1 of the '48' | arr. of Bach's Fugue in bb from Book 1 of the '48' | |
WoO 92a | No, non Turbarti |
early 1802
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WoO 99 | Italian Partsong | ||
WoO 126 | Song, "Opferlied" | Initially 1794-5 rev. 1801-2) [Friedrich von Matthisson] | |
1803- Age 33
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WoO 82 | Minuet for Piano in Eb | ||
Hess 72 | Theme with variation in A | ||
Op 55 | Symphony #3 in Eb (Sinfonia Eroica) | [To Prince Lobkowitz, org. Napoleon] | |
Op 38
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Trio for Piano, Clarinet or Violin and Cello in Eb | arrangement of Septet op. 20 | |
Op 47
|
Violin Sonata #9 in A (Kreutzer Sonata) | ||
Op 41
|
Serenade for pianoforte and flute/violin in D | arrangement of Serenade op. 25 | |
Op 42
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Nocturne for pianoforte and viola in D | (arrangement of op. 8) | |
Op 53 | Sonata #21 in C, Waldstein sonata |
12/1803
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[WoO 57 used as 2'd movement] Ded to Ct Waldstein |
WoO 78 | 7 Variations in C, | on "God save the King" | |
WoO 79 | 5 Variations in D | "Rule Brittania" | |
Op 45 #1 | March for Pianoforte duet in C | ||
Op 45 #2 | March for Pianoforte duet in Eb | ||
Op 45 #3 | March for Pianoforte duet in D | ||
WoO 56 | Bagatelle in C for pianoforte (Allegretto) | ||
WoO 55 | Prelude in f | ||
Hess 68 | Laendler in C Minor | ||
Hess 115 | Opera Vestas Feuer, Unfinished | ||
Hess 141 | Busslied op 48 #6 - another version of the last 12 bars | ||
Op 88 | Song, "Das Glück der Freundschaft" | [Author?-"Der lebt ein Leben wonniglich"] | |
NA | Song, "Meine Lebenszeit verstreicht" in g | lost [Christian Fürchtegott Gellert] (referred to by Beethoven 1822, in a price list for possible publ. See op.48 in f#. | |
Hess 229 | "Languisco e moro" |
early 1803
|
|
Hess 274 | Untexted canon in G |
early 1803
|
|
Hess 275 | Untexted canon in Ab |
c. 11/1803
|
|
Hess 324 | Melody in C minor | ||
Hess 325 | Piece in D | ||
Hess 327 | 2 Little Melodies in A minor | ||
WoO 93 | Duet "Nei giorni tuoi felici" | for soprano and tenor with orchestra, ** ? Solo | |
Op 85 | Oratorio, Christ on the Mount of Olives | ||
Op 52 #1 | Song, "Urians Reise um die Welt" | [Matthias Claudius] | |
Op 52 #2 | Song, "Feuerfarb" (1792-1803) | [Sophie Mereau] | |
Op 52 #3 | Song, "Das Liedchen von der Ruhe" | [Wilhelm Ueltzen] | |
Op 52 #4 | Song, "Maigesang" | [Johann Wolfgang von Goethe] | |
Op 52 #5 | Song, "Mollys Abschied" | [Gottfried August Bürger] | |
Op 52 #6 | Song, "Die Liebe" | [Gotthold Ephraim Lessing] | |
Op 52 #7 | Song, "Marmotte" | [Johann Wolfgang von Goethe] | |
Op 52 #8 | Song, "Das Blümchen Wunderhold" | [Gottfried August Bürger] | |
WoO 129 | Song, "Der Wachtelschlag" | [S.F. Sauter-"Ach, mir schallt's dorten] Arrrangement of Bundeslied (op. 122) for 2 soloists and piano, Hess 92 (Pub. 1825) | |
1804- Age 34
|
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Op 54 | Sonata #22 in F | ||
Op 56 | Triple concerto: piano, violin, cello | ||
WoO 57 | "Andante favori", Andante for pianoforte in F | org. middle movement in sonata op.53 | |
WoO 74 | 6 Variations for Piano duet. | Theme to opening stanza, Goethe's poem "Ich denke dein" | |
WoO 57 | Andante Favori (Andante for pianoforte in F) | ||
1805- Age 35
|
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Hess 111 | Duet, "Nur hurtig fort, nur frisch gegraben," early version | ||
Op 138 | Leonora 1 in C | ||
Op 72 | Overture Leonore #2 in C | (Andante con moto - Allergro con brio) Act 1 1. Aria (Marzelline) "O, wär ich schon" 2. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 3. Trio (Marzelline, Jaquino, Rocco) "Ein Mann ist bald genommen" 4. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir is so wunderbar" 5. Aria (Rocco) "Hat man nicht auch Gold" 6. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" Act II 7. March 8. Aria (Pizarro) with Chorus "Ha, welch ein Augenblick" 9. Duet (Pizarro, Rocco) "Jetzt, Alter" 10. Duet (Marzelline, Leonore) "Um in der Ehe" 11. Recit. and Aria (Leonore) "Ach, brich noch night" "Komm Hoffnung" 12. Finale (Prisoners, Marzelline, Leonore, Pizarro, Rocco) "O welche Lust" Act III 13. Introduction, Recit. and Aria (Florestan) "Gott, welch Dunkel" "In des Lebens Frühlingstagen" 14. Duet (Leonore, Rocco) "Nur hurtig fort" 15. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn" 16. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 17. Recit. and Duet (Leonore, Florestan) "Ich kann mich noch night fassen" "O namenlose Freude" 18. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, Jaquino) "Zur Rache" | |
Op 72 #1 | Fidelio | originally Leonore written 1804-5, rewritten Leonore 1806, final version Fidelio 1814] Leonore I | |
Op 72a | Leonora 2 | ||
Op 57 | Sonata #23 in f, Appassionata | Ded to Count Brunsvik | |
Op 36
|
Trio for Piano | [arrangement of Symphony #2 in D] | |
Op 32 | Song, "An die Hoffnung" | Strophic, later vers. | |
1806- Age 36
|
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Hess 110#4 | Terzet, "Gut, soehnchen, gut" from 1806 version of Leonore | ||
Hess 110 #8 | Recitative and Aria, "Ach, brich noch nicht-Komm, Hoffnung" from 1806 version of Leonore. | ||
Hess 112 | Rocco's Gold Aria, cut from the 1806 version of Leonore | ||
Hess 121 | Aria of Marzelline, "O waer ich schon mit dir vereint," in C major for voice and orchestra | ||
Op 72#2 | Leonore II | Opera w/ overture Leonore #3 in C (Adagio - Allegro) Act 1 1. Aria (Marzelline) "O, wär ich schon" 2. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 3. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir is so wunderbar" 4. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" 5. March 6. Aria (Pizarro) with Chorus "Ha, welch ein Augenblick" 7. Duet (Pizarro, Rocco) "Jetzt, Alter" 8. Recit. and Aria (Leonore) "Ach, brich noch night" "Komm, Hoffnung, lass den letzten Stern" 9. Duet (Marzelline, Leonore) "Um in der Ehe" 10. Trio (Marzelline, Jaquino, Rocco) "Ein Mann ist bald genommen" 11. Finale (Prisoners, Marzelline, Leonore, Pizarro, Rocco) "O welche Lust" Act II 12. Introduction, Recit. and Aria (Florestan) "Gott, welch Dunkel" "In des Lebens Frühlingstagen" 13. Duet (Leonore, Rocco) "Nur hurtig fort" 14. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn in bessern Welten" 15. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 16. Recit. and Duet (Leonore, Florestan) "Ich kann mich noch night fassen" "O namenlose Freude" 17. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, Jaquino) "Zur Rache" | |
WoO 83 | 6 Ecossaise for pianoforte, all in Eb |
c. 1806
|
|
Op 58 | 4th Piano Concerto | (completed in the Summer) (Ded. in1807 to Archduke Rudolph, 1st of 11 important wrks dedicated to him.) | |
Op 59 | Razumovsky Quartets | (sketch of #1 states "begun May 26" completed in Nov 1806. Beethoven wrote this on a sketch of the 3rd movement (Adagio): "A weeping willow or an acacia tree on the grave of my brother." | |
Op 60 | Symphony #4 in Bb | Comp. summer 1806; Commissioned for Count Oppersdorff, paid 500 fl. | |
Op 61
|
Violin Concerto in D | ||
Op 63
|
Trio for Piano, Violin and Cello in Eb | **Arranged by unknown person. | |
Op 59#1
|
Quartet #7 in F, "Razumoviskij" quartets | ||
Op 59#2
|
Quartet #8 in e, "Razumoviskij" quartets | ||
Op 59#3
|
Quartet #9 in C, "Razumoviskij" quartets | ||
WoO 132 | Song, "Als die Geliebte sich trennen wollte" | [Stephan von Bruening, based on French text by Hoffmann-"Der Hoffnung letzter Schimmer sinkt dahin"] | |
WoO 80 | 32 Variations in c |
c. 11/1806
|
on an original theme |
1807- Age 37
|
|||
Op 62 | Coriolan Overture in c | Ded. To Heinrich Collin, author of tragedy it is based on. | |
Op 64
|
Sonata in Eb for Cello and Piano | pub. 1807; (** arrangement of String Quintet Opus 4) ? by someone else) | |
Op 86 | Mass in C | ||
WoO 133 | Song, "In questa tomba oscura" | [Giuseppe Cargani] | |
Hess 81 | Cadenza to 1st movement of Concerto #4 |
1807?
|
|
Hess 82 | Cadenza "senza misura" to the Rondo of Concerto #4 |
1807?
|
|
Hess 83 | Very brief cadenza to the Rondo for Piano Concerto #4 |
1807?
|
|
Hess 122 | Aria of Marzelline, "O waer ich schon mit dir vereint," in C minor for voice and orchestra |
1807?
|
|
1808- Age 38
|
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Op 67 | Symphony #5 in c (Fate) | [To Prince Lobkowitz and Count Razumovsky] | |
Op 68 | Symphony #6 in f (Pastoral) | (Spring-Summer1808) [To Prince Lobkowitz & Count Razumovsky] | |
WoO 136 | Song, "Andenken" | [Friedrich von Matthisson] | |
Op 70 #1
|
Trio for Piano, Violin and Cello #4 in D "Ghost Trio" | ||
Op 70 #2
|
Trio for Piano, Violin and Cello #5 in Eb | ||
Op 69
|
Sonata for Cello #3 in A | Ded to Baron Gleichenstein | |
WoO 134 | Song, "Sehnsucht" [4 settings] |
early 1808
|
[J.W. von Goethe-"Nur wer die Sehnsucht kennt"] |
WoO 136 | Song, ""Andenken" | ||
Op 80 | Coral Fantasy for Piano, Chorus and Orchestra |
12/1808
|
Ded. To King Maximilian Joseph of Bavaria |
1809- Age 39
|
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Op 78 | Sonata #24 in F# | Ded Therese Brunsvik, commissioned by Clementi | |
Op 79 | Sonata #25 in G | commissioned by Clementi | |
Op 76 | 6 variations over own theme in D | Later used for Ruins of Athens, Turkish march | |
Op 74
|
Quartet #10 Eb, Harp quartet | Ded to Prince Lobkowitz | |
Op 84 | Egmont | ||
Op 77 | Fantasia in g | Dedicated to Count Brunsvik. Comissioned by Clementi | |
Hess 99 | Piano arrangement of Military March in F (WoO 18) | ||
Op 75 #1 | Song, "Mignons Lied" | [Johann Wolfgang von Goethe] | |
Op 75 #2 | Song, "Neue Liebe, neues Leben" | [Johann Wolfgang von Goethe] | |
Op 75 #3 | Song, "Aus Goethes Faust" | [Johann Wolfgang von Goethe-"Es war einmal ein König"] | |
Op 75 #4 | Song, "Gretels Warnung" | [Gerhard Anton von Halem-"Mit Liebesblick und Speil"] | |
Op 75 #5 | Song, "An den fernen Geliebten" | [Christian Ludwig Reissig -"Einst wohnten süsse Ruh"] | |
Op 75 #6 | Song, "Der Zurfriedene" | [Christian Ludwig Reissig -"Zwar schuf das Glück"] | |
Op 82 #1 | Song, "Hoffnung" | [?Author-"Dimmi, ben mio"] | |
Op 82 #2 | Song, "Liebes-Klage" | [Pietro Metastasio-"T'intendo, si, mio cor"] | |
Op 82 #3 | Song, "L'amante impatiente" arietta buffa | [Pietro Metastasio-"Che fa il mio bene"] | |
Op 82 #4 | Song,"L'amante impatiente"arietta assai seriosa | [Pietro Metastasio"Che fa il mio bene"] | |
Op 82 #5 | Song "Lebens-Genuss" | [[Pietro Metastasio"Odi l'aura che dolci sospira"] | |
WoO 137 | Song, "Lied aus der Ferne" | [Christian Ludwig Reissig] | |
WoO 58 | 2 Cadenzas, (on Mozart's Piano Concerto K466,mvmnts 1&3) | [For pupil Ferdinand Ries] | |
WoO 139 | Song, "Der Liebende" | [Christian Ludwig Reissig-"Welch ein wunderbares Leben'] | |
WoO 138 | Song, "Der Jüngling in der Fremde" | [Christian Ludwig Reissig-"Der Frühling entblühet"] | |
1810 - Age 40
|
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Op 83 #1 | Song, "Wonne der Wehmut" | ("Trocknet night") | |
Op 83 #2 | Song, "Sehnsucht" | ("Was zieht mir das Herz") | |
Op 83 #3 | Song, "Mit einem gemalten Band" | ("Kleine Blumen") | |
Op 84 | Egmont Opera w/ overture in f Sostenuto ma non troppo - Allegro | and Incidental music, 1. Aria (Clärchen) "Die Trommel gerühret" 2. Zwischenakt I 3. Zwischenakt II 4. Aria (clärchen) "Freudvoll und leidvoll" 5. Zwischenakt III 6. Zwischenakt IV 7. Musik, Clärchens Tod bezeichnend 8. Melodrama (Egmont) "Süsser Schlaf!" 9. Siegessymphonie S solo, male v (spoken) | |
Op 95
|
Quartet #11 f | Ded to Nikolaus Zmeskall | |
WoO 18 #1 | March for Military Music in F | Added Trio 1822; Ded to Archduke Anton | |
WoO 18 #2 | March for Military Music in F | ||
WoO 19 | March in F (???? WoO 18 ????) | added Trio in F 1822 | |
WoO 20 | March for Military Music in C | added Trio in F 1822 | |
WoO 21 | Polonaise in D | ||
WoO 22 | Ecossaise in D | ||
WoO 23 | Ecossaise in G |
c. 1810
|
|
WoO 59 | Für Elise | ||
Hess 93 | A simplified setting and 2 keyboard vrs of Clärchen's Lied, #4 of Egmont (op.84) | ||
Hess 94 | Freudvoll und Leidvoll in G | ||
Hess 95 | Freudvoll und Leidvoll in F | ||
Hess 99 | Piano arrangement of Military March in F (WoO 18) | ||
Hess 191 | The Vale of Clwyd WoO 155 #19, early version | ||
Hess 193 | Farewell Bliss and Farewell nancy WoO 152 #20 - early version of codas | ||
Hess 194 | "I Dream'd I Lay", (Pub 7/1810) (Replaced by WoO 153 #5) | ||
Hess 196 | "I'll Praise the Saints", [Pub. 7/1810] (Replaced by WoO 153 #12) | ||
Hess 197 | "Tis but in Vain", (Replaced by WoO 153 #15) | ||
Op 81a | Sonata #26 in Eb, Les adieux, Das Lebewohl | Ded to Archduke Rudolf | |
Hess 93-95 | A simplified setting and 2 keyboard vrs of Clärchen's Lied, #4 of Egmont (op.84) | ||
Hess 142 | Wonne der Wehmut, earlier version of op 83 #1 | ||
Hess 197 | "Tis but in Vain" |
7/1810
|
(Replaced by WoO 153 #15) |
Hess 203 | "Faithfu' Johnie", [Pub. 7/1810] (Replaced by WoO 108 #20) | ||
Hess 204 | "O let the Night" | ||
Hess 205 | The Dream, another version of WoO 155 #12 | ||
Hess 206 | "To the Blackbird", [Pub. 7/1810] (Replaced by WoO 155 #20) | ||
1811 - Age 41
|
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Hess 140 | Dimmi, ben mio, che m'ami, later version of op 82 #1 | ||
Op 113 | Die Ruinen von Athen | [Play by von Kotzebue] Overture in g-G 1. Chorus "Tochter des mächtigen Zeus! 2. Duet (Greek man and woman) "Ohne Verschulden" 3. Chorus (Dervishes) "Du hast in deines Armels" 4. Marcia alla Turca 5. Musik hinter der Scene 6. March, Chorus and Recit. (Hight Priest) "Schmückt die Altäre" - "Mit reger Freude" 7. Chorus and Aria (Hight Priest) "Wir tragen empfängliche Herzen" - "Will unser Genius" 8 Chorus "Heil unserm König" | |
Op 117 | König Stephan | [Play by von Kotzebue] Overture in Eb 1. Chorus (men) "Ruhend von seinen Taten" 2. Chorus (men) "Auf dunklem Irrweg" 3. Siegesmarsch 4. Chorus (women) "Wo die Unschuld 5. Melodrama (Stephan) "Du hast dein Vaterland" 6. Chorus "Eine neue strahlende Sonne" 7. Melodrama (Stephan) "Ihr edlen Ungarn" 8. March, Chorus and Melodrama (Stephan) "Heil unserm Könige" - "Ich schmücke ehrfurchtsvoll" 9. Chorus "Heil unsern Enkeln" Male and female v (spoken) | |
WoO 161 | "Ewig dein" |
c.1811?
|
|
Op 117 | König Stephan (King Stefan), (1811) | ||
Op 113 | Die Ruinen von Athen (Ruins of Athens) | ||
Op 114 | March with chorus from "Die Ruinen von Athen" | arranged for "Die Weihe des Hauses | |
Op 97
|
Trio for Piano, Violin and Cello #6 in Bb "Archduke" | ||
1812 - Age 42
|
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Op 92 | Symphony #7 in A | To Count Fries] | |
Op 93 | Symphony #8 in F | [No dedication] | |
Op 96
|
Violin Sonata #10 in G (Mozart Variations) | Written for Rode who performed it 12/29/1812 | |
Hess 1 | Original ending to the 8th symphony (op93) - 1st movement | ||
Hess 17 | Two German Dances in F Major and F Minor | ||
WoO 30
|
3 Equale for Trombones |
10/1812
|
Written for Franz Glöggl, Kapellmeister at Linz Cathedral |
WoO 39
|
Trio for Piano, Violin and Cello #8 in Bb Allegretto | ||
WoO 162
|
"Ta ta ta", four-part canon | Spurious - written by Anton Schindler | |
Hess 192 | "On the Massacre of Glencoe, (Pub. 1813) Scott (Replaced by WoO 152 #5) | ||
Hess 195 | "When Far from the Home", (Pub. 1813) (Replaced by WoO 153 #11) | ||
Hess 198 | "Oh Would I Were", [Pub. 2/1812] (Replaced by WoO 154 #9) | ||
1813 - Age 43
|
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Op 91 | Victory of Wellington in Eb | (composed summer-early autumn 1813) [To Prince Regent] | |
Hess 107 | Grenadiermarsch for mechanical clock in F, [20 bar march by Haydn, arr. of WoO 29] | ||
Hess 108 | Orig. version for Maelzel's panharmonicon of op. 91, 2'd part ["Siegessymphonie"] | ||
Hess 305 | Canon, "Geschlagen ist der Feind" - sketch | ||
WoO 2a | Triumphal March in C | for C. Kuffner's tragedy "Tarpeja" | |
WoO 2 | Two orchestral pieces for Tarpeja: Triumphmarsch in C and Introductory to Act II in D | ||
WoO 141 | Song, "Der Gesang der Nachtigall" |
5/1813
|
[Johann Gottfried Herder-"Höre, die Nachtigall singt"] |
WoO 142 | Song, "Der Bardengeist" |
11/1813
|
[Franz Rudolph Hermann-"Dort auf dem hohen Felsen"] |
WoO 163 | "Kurz ist der Schmerz" |
11/1813
|
For Johann Friedrich Naue |
1814 - Age 44
|
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Op 72#3 | Fidelio III Opera w/ overture Fidelio in E (Allegro) | Act I 1. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 2. Aria (Marzelline) "O wär ich schon mit dir vereint" 3. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir ist so wunderbar" 4. Aria (Rocco) "Hat man nicht augh Gold" 5. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" 6. March 7. Aria (Pizzarro) with Chorus "Ha, welch ein Augenblick" 8. Duet (Pizarro, Rocco) "Jetzt, Alter" 9. Recit. And Aria (Leonore) "Abscheulicher! Wo eilst du hin?" "Komm, Hoffnung" 10. Finale (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) "O welche Lust" Act II 11. Intro., Recit. and Aria (Florestan) "Gott welch Dunkel hier!" "In des Lebens Frühlingstagen" 12. Melodrama and duet (Leonore, Rocco) "Wie kalt ist es" "Nur hurtig fort" 13. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn" 14. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 15. Duet (Leonore, Florestan) "O namelose Freude" 16. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, "Heil sei dem Tag" | |
Op116 | Trio for soprano, tenor and bass w/ orchestral accomp. | "Tremate, empi, tremate", **? Solo | |
WoO 95 | Chorus w/ orchestra | "Die verbundeten Fursten" | |
WoO 94 | Song, "Germania" bass w/chorus & orch. | for G.F.Treitschke's Singspiel "Die gute Nachright" | |
WoO 100 | Song, "Markenstein" | (Sketch Nov, compl Dec22[Tagebuch #85]) | |
WoO 102 | Song, "Abschiedsgesang" for three male voices a cappella | ||
WoO 103 | Un lieto brindisi: Cantata campestre |
6/1814
|
|
Hess 96 | Symphony #7 op92 for Piano - fragment | ||
Hess 113 | Marzelline's Aria, with an abbreviated conclusion | ||
Hess 114 | Recitative for Don Fernando, Dresden version of Fidelio | ||
Op 90 | Piano Sonata #27 in e |
sum. 1814
|
Ded to Count Moritz von Lichnowsky; This was the only Opus written in e minor, and his 1st sonata in 5 years. |
Op 118 | Elegischer Gesang (Elegiac Song) |
7/1814
|
Composed for performance 8/5/1814 |
WoO 164 | "Freundschaft ist die Quelle" |
9/1814
|
|
Op 136 | Cantata for four solo voices, chorus and orchestra |
11/1814
|
"Der glorreiche Augenblick" |
WoO 140 | Song, "An die Geliebte" | 2nd ver ( rev. ) ("O dass ich dir vom stillen Auge") | |
WoO 144 | Song, "Merkenstein" | [Johann Baptist Rupprecht] | |
WoO 143 | Song, "Der Kriegers Abschied" |
late 1814
|
[Christian Ludwig Reissig-"Ich Zieh' ins Feld"] |
WoO 199 | "Ich bin der Herr von zu" | musical quip [Intended for Archduke Rudolph] | |
WoO 205b | "Allein, allein, allein", musical quip | [To Count Lichnowsky, Letter 498] | |
Op 89 | Polonaise in C |
c. 12/1814
|
Composed for Empress of Russia who is in Vienna for the Congress |
1815 - Age 45
|
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Hess 15 | Piano Concerto #6 in D, Incomplete - 1st movement (midi here) | ||
Hess 178 | Tis Sunshine at Last, version of WoO 153 #13 for Duet | ||
Op 115 | Zur Namensfeier | Ded. To Prince Radziwill | |
Op 102 #1
|
Sonata for Cello #4 in C |
? 1815
|
|
Op 102 #2
|
Sonata for Cello #5 in D | ||
Hess 202 | Oh! Thou art the Lad of my Heart, Willy, 1st version of op 108 #11 | ||
Hess 297
|
Adagio in Ab for horns | ||
WoO 165 | "Glück zum neuen Jahr" |
1/1815
|
for Baron von Pasqualati |
WoO 166 | "Kurz ist der Schmerz" |
3/1815
|
for Louis Spohr |
WoO 167 | "Brauchle, Linke", three-part canon |
c. 1815
|
|
Op 100 | Song, "Merkenstein" | [Johann Baptist Rupprecht] | |
Op 94 | Song: "An die Hoffnung" | "To Hope" This is 2nd setting of the song, 1st is Opus 32; begun 1813. [Christoph August Tiedge]; (hear online) | |
WoO 145 | Song, "Das Geheimnis" | [Ignaz von Wessenberg-"Wo blüht das Blümchen"] | |
Op 112 | Chorus w/ orchestral accomp. | "Meeresstille und Glückliche Fahrt" | |
WoO 97 | Song,"Es ist vollbracht" for bass voice, chorus & orch. | Treitschke's Singspiel Die Ehrenpforten | |
WoO 96 | Leonore Prohaska |
c. 3/1815
|
[Incidental music, written for drama by Duncker] 1. Chorus (warriors) "Wir bauen und sterben" 2. Romanze (soprano) "Es blüht eine Blume" 3. Melodrama "Du, dem sie gewunden" 4. Trauermarsch [arranged from piano sonata op. 26] |
WoO 135 | Song, "Die laute Klage" |
c.1815?
|
[Johann Gottfried Herder-"Turteltaube, du klagest so laut"] |
WoO 27
|
3 Duets for Clarinet & Bassoon, #1in C, #2 in F, #3 in Bb | ||
1816 - Age 46
|
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Op 121a
|
Trio for Piano, Violin and Cello #10 in G | (Var's on "Ich bin der Schneider", by Kakadu), () | |
NC
|
Trio for Piano in f | [Incomplete] (not classified) | |
WoO 24 | March for Military Music in D | ||
WoO 146 | Song, "Sehnsucht" |
early 1816
|
[Christian Ludwig Reissig-"Die stille Nacht umdunkelt"] |
WoO 168 | "Das Schweigen", "Das Reden" |
1/24/1816
|
two farewell canons for Neate leaving for London |
WoO 169 | "Ich küsse Sie", two-part canon |
1/1816
|
|
WoO 170 | "Ars longa, vita brevis" |
4/1816
|
For Johann Nepomuk Hummel |
Op 98 | Song, , An die ferne Geliebte |
c. 4/1816
|
(six poems by A. Jeitteles, ) "To the Distant Beloved" |
Op 99 | Song, "Der Mann von Wort" |
5/1816
|
[Friedrich August Kleinschmid-"Du sagtest, Freund"] |
WoO 147 | Song, "Ruf vom Berge" |
12/1816
|
[Friedrich Treitschke-"Wenn ich ein Vöglein wär"] |
Hess 97 | Piano arrangement of Wellingtons Sieg (op.91) | ||
Hess 200 | The Maid of Isla, 1st and 2nd versions of op108 #4 | ||
Hess 250 | Ich kuesse Sie, druecke Sie an mein Herz, Riddle canon in C | ||
Op 101 | Sonata #28 in A |
11/1816
|
Ded to Baroness Ertmann |
1817 - Age 47
|
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Hess 35 | String Quartet Arrangement of Bach's b minor Fugue | ||
Op 104
|
Quintet arr. of Piano Trio in c (op. 1 #3 ) |
8/14/1817
|
(Arr.'d by Kaufmann, corrected by Beethoven) |
Op 137
|
Fugue in D for string quintet |
11/28/1817
|
|
Hess 40
|
Prelude and Fugue in d, Fugue part not completed (mp3 here) | Fugue part not completed | |
Hess 47 | Piano Trio arrangement of String Trio op 3 - 1st movement & fragments of 2nd (mp3 here) |
? 1817
|
|
Hess 48 | Allegretto in Eb for Piano, Cello, and Violin |
? 1817
|
|
WoO 104 | Song, for three male voices. Song of the monks (Gesang der Mönche) in Schiller's Wilhelm Tell |
5/3/1817
|
In memory of his friend Krumpholz who died the previous day. |
Op 108 | 25 Scottish songs w/ pianoforte, violin and cello accomp. | First Scottish arrangements appeared in 1818: Thomson's 5th vol. of A Select Collection of Original Scottish Airs | |
WoO 205c | "O Adjutant", musical quip | [To Haslinger, Letter 742] | |
WoO 205d | "Wo? Wo?", musical quip | [To Nanette Streicher Letter 789 or 792] | |
WoO 171 | "Glück fehl' dir vor allem" | For Anna Giannatasio del Rio | |
WoO 149 | Song, "Resignation" |
early 1817
|
[Paul von Haugwitz-"Lisch aus, mein Licht] early sketches c.1814 |
WoO 148 | Song, "So oder so" |
early 1817
|
[Carl Lappe-"Nord oder Süd] |
WoO 149 | Song, "Resignation" |
aut.1817
|
Diary entry #78 1817: "Endurance. Resignation. Resignation. Thus we profit and make ourselves worthy, so that god our mistakes --" Also, entry #88 "Live only in your art, for you are so limited by your senses. T?his is nevertheless the only existence for you." [B. Newsletter V12#1 pg34-35 1997]. |
1818 - Age 48
|
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Hess 16 | Original introduction to Choral Fantasia, Opus 80 | ||
Hess 201 | Bonnie Laddie, Highland Laddie, 1st version of Violin part to op 108 #7 | [ MP3 file from "Unheard Beethoven" website] | |
Hess 222 | Gott allein ist unser Herr, er allein - vocal melody in Eb | ||
Hess 223 | Leb wohl, schoene Abendsonne, Vocal melody in C | ||
WoO 60 | Bagattelle in Bb | ||
Op 105 | 6 Themes with variations for Pianoforte with flute or violin accomp. | Ad libitum | |
Op 106 | Piano Sonata #29 in Bb "Hammerklavier" | Ded to Archduke Rudolf | |
Op 107 | 10 Themes with Variations for Pianoforte with flute or violin accomp. | Ad libitum | |
WoO 172 | "Ich bitt' dich" |
c.1818?
|
For Vincent Hauschka |
WoO 200 | "Theme for variations, "O Hoffnung" | [Theme for Archduke Rudolph who comp. 40 var's.] | |
WoO 201 | "Ich bin bereit! Amen", set to music | [In a letter to Vincenz Hauschka - letter 903] | |
1819 - Age 49
|
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Hess 125 | Hochzeitslied WoO 105 in C for unison voices | Jan,14 1819 | |
WoO 205e | "Erfüllung, Erfüllung", set to music | [To Archduke Rudolph, Letter 948] | |
WoO 105 | Song, "Hochzeitslied" Wedding song for tenor solo and chorus, w/ pianoforte acc. |
1/1819
|
|
WoO 173 | "Hol' euch der Teufel" (puzzle cannon) |
Sum 1819
|
For Sigmund Anton Steiner |
WoO 174 | "Glaube und hoffe" |
9/1819
|
For Moritz Schlesinger [not strictly a cannon] |
WoO 179 | "Alles Gute" |
12/1819
|
For Archduke Rudolph |
WoO 181 | 3 canons: #1 "Gedenket heute," #2 "Gehabt euch," #3 "Tugend ist" | ||
WoO 176 | "Glück, Glück zum neuen Jahr", three-part canon |
12/1819
|
|
1820 - Age 50
|
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Op 109 | Sonata #30 in E | Ded to Maximiliane Brentano. Commissioned by publisher | |
WoO 177 | "Bester Magistrat" |
c. 1820
|
For Abbe' Stadler? |
WoO 178 | "Signor Abate" |
c. 1820?
|
|
Hess 256 | "Sankt Petrus ist ein Fels," Musical Joke for three voices in A | ||
Hess 300 | Canon, "Liebe mich, werter Weissenbach" |
c. 1/1820
|
For Aloys Weissenbach? |
Hess 301 | "Wähner...es ist kein Wahn" |
c. 1/1820
|
For Friedrich Wähner? |
WoO 175 | "Sankt Petrus war ein Fels" | ||
Hess 133 | : "Das liebe katzchen" | (pub Mar) | |
Hess 134 | : "Der knabe auf dem Berge | (pub Mar) | |
Hess 299 | 2-part canon, "ester Magistrat" | ||
WoO 180 | "Hoffman, sei ja kein Hofmann", two-part canon |
3/1820
|
|
WoO 181 | Three canons: "Gedenket heute", "Gehabt euch"; "Tugend ist" | ||
WoO 130 | Song, "Gedenke mein" | [Author?] | |
WoO 150 | Song, "Abendlied unterm gestirnten Himmel" | [Heinrich Goeble"Wenn die Sonne nieder sinket"] | |
1821 - Age 51
|
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Op 110 | Sonata #31 in Ab | Commissioned by publisher. | |
WoO 205f | "Scheut euch nicht", set to music |
c. 1821
|
[To Treitschke, Letter 1068] |
WoO 61 | Allegretto in b | ||
Hess 65 | Little Concert Finale in C, (Arr of coda & finale of 3'd Piano Concerto, op. 37) | (Arrangement of coda and finale of 3'd Piano Concerto, op. 37) | |
Op 119 | 11 Bagatelles | 11/1821 | First 5 were completed by early 1821 for an instruction book) |
WoO 182 | "O Tobias!", three-part canon |
9/1821
|
|
1822 - Age 52
|
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Op 111 | Sonata #32 in c | Ded to Archduke Rudolf. Commissioned by publisher. | |
Op 113 | Ruins of Athens overture | new adaptation - see text & "Wosich die Pulse" chorus | |
Op 114 | Piano v. of chorus for Ruins | ||
Op 121b | op 121b: Song "Offerlied" | (Dec) (1st sk 1796) (2nd WoO126 1798) (3rd vers. 1803) (This is 4th) (rev 1824) | |
Op 122 | : Song "Bundeslied" | (Dec) | |
Op 123 | : Missa completed | early 1822 [L.Decade pg 222] | |
Op 124 | Die Weihe des Hauses (Consecration of the House) | ||
Op 125 | 9th Symphony - further sketches |
[sketches]
|
(w/ sketches for 10th symphony in Eb) - Oct) (Idea for ode dates to before 1793) |
Op 128 | Arietta "Der Kuss" |
12/1822
|
[Christian Felix Weisse-"Ich war bei Chloen ganz allein"]sk'ed1798 |
Op 127 | String Quartet #12 in E (early planning) | completed May 1825 [L. Decade pg223] | |
WoO 34
|
Duet in A for 2 violins |
4/1822
|
|
Hess 118 | Complete music for Die Weihe des Hauses, [adapted frm Die Ruinen von Athen, op. 113] | ||
WoO 98 | Song, Chorus w/ soprano solo and orch. | For "Die Weihe des Hauses" | |
WoO 3 | Gratulations Menuett in Eb, (1822) |
11/3/1822
|
Ded to Karl Holz but written as tribute to Karl Hensler 1st perf. 11/3/1822 |
1823 - Age 53
|
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Op 119 | 11 Bagatelle in g, c, D, A, c, G, C, C, a, A, Bb | ||
Op 120 | 33 variations over waltz by Anton Diabelli | Ded to Antonie Brentano | |
Op 122 | Song, "Bundeslied" for voices w/ wind instrument accompaniment | ||
Op 123 | Missa Solemnis in D | ||
Op 126 | 6 Bagatelle in G, g, Eb, b, G, Eb | ||
WoO 151 | Song, "Der edle Mensch sei hilfreich und gut" |
1/1823
|
[Johann Wolfgang von Goethe] |
WoO 183 | "Bester Herr Graf", four-part canon |
2/1823
|
[See also: musical jokes] |
WoO 106 | Song, "Lobkowitz-Kantate" |
4/1823
|
|
WoO 184 | "Falstafferel, lass' dich sehen", five-part canon |
4/1823
|
|
WoO 185, | "Edel sei der Mensch", six-part canon |
c. 5/1823
|
(2 versions in E and Eb) |
WoO 183 | "Bester Herr Graf, Sie sind ein Schaf!" |
2/20/1823
|
musical joke |
WoO 202 | "Das Schöne zu dem Guten", set to music | [Musical motto] | |
Hess 260 | Canon, "Fettluemerl und Bankert haben triumphirt" | ||
Hess 303 | Cannon, "Grossen Dank Fuer Solche Gnade" | ||
1824 - Age 54
|
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NC | Mass in c# | [Incomplete] | |
Hess 57 | Bagatelle in C | ||
Hess 263 | "Te Solo Adoro," Canon for 2 voices in Eb | ||
Hess 285 | Musical Joke, "Tobias" | ||
WoO 84 | Waltz for Piano in Eb | ||
WoO 186 | "Te solo adoro", two-part canon, |
6/1824
|
|
WoO 187 | "Schwenke dich", four-part canon |
11/1824
|
|
Op 121b | Song, "Opferlied" for soprano, chorus and orch. | ||
WoO 205g | "Tobias! Paternostergassler", set to music | [To Haslinger, Letter 1312] | |
Op 125 | Symphony #9 in d (Choral Symphony) | [To King Friedrich Wilhelm III of Prussia] | |
1825 - Age 55
|
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Hess 91 | Arrangment of Opferlied (op. 121b) for soprano, choir and piano, (Pub. 1825) | ||
Hess 92 | Bundeslied op 122 for voice and piano | ||
Hess 302 | Canon "Uns geht es kannibalisch wohl als wie fuenfhundert Saeuen" for four voices | ||
WoO 85 | Waltz for Piano in D | ||
WoO 86 | Ecossaise for Piano in Eb | ||
Op 127
|
Quartet #12 E | ||
Op 132
|
Quartet #15 a | Ded to Prince Nikolas Galitzin | |
WoO 61a | Allegretto quasi andante in g | Ded to Sarah Burneglage | |
WoO 188 | "Gott ist eine feste Burg" |
1/1825
|
|
WoO 189 | "Doktor, sperrt das Tor", four-part canon |
5/1825
|
|
WoO 190 | "Ich war hier, Doktor", two-part canon |
6/1825
|
|
WoO 35 | Duet in A for 2 violins |
8/1825
|
[Untexted Canon] |
WoO 194 | "Si non per portas", canon |
9/1825
|
|
WoO 197 | "Da ist das Werk" |
9/1826
|
|
WoO 191 | "Kühl, nicht lau", three-part canon |
11/1825
|
|
WoO 192 | "Ars longa, vita brevis" (puzzle cannon) |
11/1825
|
For Sir George Smart |
WoO 203 | "Das Schöne zu dem Guten", set to music | [Musical motto, puzzle cannon] | |
WoO 204 | "Holz, Holz geigt die Quartette so" | [Musical joke in conversation book of September 1825] | |
WoO 205h | "Tobias, Tobias", musical setting | [To Haslinger, Letter 1365] | |
WoO 193 | "Ars longa, vita brevis" (puzzle cannon) |
?1825
|
|
Op 133
|
Quartet B | (Grosse Fuge, originally the finale in op.130) | |
NC | Overture on B-A-C-H | [Incomplete] | |
WoO 195 | "Freu' dich des Lebens" |
12/1825
|
For Theodor Molt |
1826 - Age 56
|
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Op 134 | Pianoforte duet in Bb | (Fuge for piano) (Arrangement by Beethoven of op 133) | |
Op 130
|
Quartet #13 in B | Ded to Prince Nikolas Galitzin | |
Op 131
|
Quartet #14 in c# | Ded to Baron Joseph von Stutterheim | |
Op 135
|
Quartet #16 F, "Serious" | after Sonata, op. 14 #1; 1st perf. 3/23/1828; Ded to Johann Wolfmayer; Theme of 3'd movement originally assoc. w/ finale of op. 131 | |
WoO 196 | "Es muss sein" |
c.7/1826
|
For Ignaz Dembscher |
Hess 277 | "Esel aller Esel" |
c. 9/1826
|
|
WoO 205j | "Erster aller Tobiasse", musical setting [To Haslinger, Letter 1536] |
10/1826
|
10th of a set of 10 muscial quips - from Beethoven's letters."First above all, Tobias" in an Oct. 13th letter to Haslinger. (see: unheard beethoven) |
WoO 198 | "Wir irren allesamt", two-part canon |
12/1826
|
|
WoO 205i | "Bester Tobias", musical setting | [To Haslinger, Letter 1534] Not Listed, "Ach Tobias", musical quip | |
WoO 205k | "Erster aller Tobiasse", musical setting | [To Haslinger, Letter 1536] | |
Hess 41 | String Quintet - fragments of movements 1,2,3,4 (WoO 62) (mp3 here) - among last written works | ||
NC
|
Song, "Vita felice" |
(? Date)
|
|
NC
|
Song, "Mephistos Flohlied" |
(? Date
|
|
WoO 17
|
Mödling Dances (eleven) for 7 instruments |
(? Date)
|
probably spurious, not Beethoven's - referred to by Schindler. |
Anh. 3
|
Piano Trio in D, |
(? Date)
|
Probably spurious |
Hess 37 | Fugue in C minor for 2 Pianos, Mozart's KV426 - revised by Beethoven (mp3 here) (see: "Unheard Beethoven" re: Hess 37) |
(? Date)
|
|
Hess 115 | Opera Vestas Feuer |
(? Date)
|
Unfinished |
Hess 39
|
Quintet in F |
(? Date)
|
[lost] |
WoO 62
|
String quintet in C, (1826-7) unfinished |
(? Date)
|
fragment - piano transcription |
Hess 107 | Grenadiermarsch for mechanical clock in F |
(? Date)
|
[20 bar march by Haydn, arrangement of WoO 29] |
Hess 102 | Piano version of WoO 14 |
(? Date)
|
|
Hess 101 | Piano version of WoO 7 |
(? Date)
|
|
Hess 100 | Piano versions of WoO 8 |
(? Date)
|
|
Hess 89 | Piano arrangement of Ritterballett (WoO 1) |
(? Date)
|
|
Hess 91 | Arr. of Opferlied (op. 121b) for soprano, choir and piano |
(? Date)
|
Pub. 1825 |
WoO 152 | 25 Irish songs |
(? Date)
|
(Pub. 1814) |
WoO 153 | 20 Irish songs |
(? Date)
|
(Pub. 1816) |
WoO 154 | 12 Irish songs |
(? Date)
|
(Pub. 1816) |
WoO 155 | 26 Welsh songs |
(? Date)
|
, (Pub. 1817) |
WoO 156 | 12 Scottish songs |
(? Date)
|
(Pub. #1:1822, #2-4,8,9,12:1824-5, #5,6:1839, #7,10,11:1841) |
WoO 157 | 12 Assorted folksongs |
(? Date)
|
(Pub. #2,6,8,11:1816, #3:1822, #5:1824-5, #1:1839) |
WoO 158 #1 | 23 Continental folksongs |
(? Date)
|
|
WoO 158 #2 | 7 British folksongs |
(? Date)
|
|
WoO 158 #3 | 6 Assorted folksongs |
(? Date)
|
|
Hess 133 | "Das liebe Kätzchen" |
(? Date)
|
(Pub. 3/1820) Austrian |
Hess 134 | Der Knabe auf dem Berge |
(? Date)
|
(Pub. 3/1820) Austrian |
Hess 168 | No Title or Text |
(? Date)
|
(Pub. early 1817) French |
Hess 192 | "On the Massacre of Glencoe |
(? Date)
|
(Pub. 1813) Scott (Replaced by WoO 152 #5) |
Hess 194 | "I Dream'd I Lay" |
(? Date)
|
(Pub 7/1810) (Replaced by WoO 153 #5) |
Hess 195 | "When Far from the Home" |
(? Date)
|
(Pub. 1813) (Replaced by WoO 153 #11) |
Hess 196 | "I'll Praise the Saints" |
(? Date)
|
[Pub. 7/1810] (Replaced by WoO 153 #12) |
Hess 198 | "Oh Would I Were" |
(? Date)
|
[Pub. 2/1812] (Replaced by WoO 154 #9) |
Hess 203 | "Faithfu' Johnie" |
(? Date)
|
[Pub. 7/1810] (Replaced by WoO 108 #20) |
Hess 206 | "To the Blackbird" |
(? Date)
|
[Pub. 7/1810] (Replaced by WoO 155 #20) |
Hess 207 | Como la Mariposa, Alternate coda to WoO 158a #20 |
(? Date)
|
|
Hess 304 | Canon, "Ich Blase das Fagot" |
(? Date)
|
|
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